The tale begins and ends in a meticulously constructed square in a Victorian version of Mold. It is while we are surrounded by the bustle and street traders of Dickensian Wales that we meet Ebenezer Scrooge and his clerk Bob Cratchit, and the story unfolds in familiar fashion.
Key parts of this promenade set are raised to a height to offer an unobstructed view of the performers. It will be helpful for audience members to know that, for the greater central part of the narrative, we are seated around a different set for Scrooge’s trial by ghosts.
There are fine central performances from Steven Elliott and Mathew Bulgo as Scrooge and Cratchit, and Lewis Lowry, one of three alternating Tiny Tims. These are supported by a strong cast of Ghosts and townsfolk, including a community ensemble.
Sound design is excellent and there are some well judged musical interludes and party games for the children to join in with. With marvellous attention to detail, this show is a perfectly polished little jewel.
4 Stars – Small but perfectly formed, this Christmas Carol is a treat for young families.
This review was originally written for and published by The Stage, and is posted here retrospectively in its original unedited form.
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| All photographs by Brian Roberts |
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